Wednesday 25 November 2015

One-to-one feedback

Notes & Quotes document just over 2,500 – a slight concern as many people are at 4,000+ by now. Good to see Textual Analysis (Task #1) and that is a separate blog post so would put up your word count if added to the N&Q doc. Need to take out the conference notes in the middle of it – these should be on a separate blog post.

Textual analysis looking solid in Task #1 – lacking the depth and detail for level 4 currently but plenty of opportunity to go back and add to this when you write your first draft. F&F7 stronger than Catwoman currently.

Academic books/journals is clearly an area to focus on over the next two weeks. Only 3 books at present and you need a minimum of 10+. The BFI trip will help with this but obviously you’ll need more on top of this. There are some really easy wins here in terms of improving this – the books in DF07 for a start. Feminism at the Movies – it’s on a plate for you!

If research seems to be more on female representations rather than men, perhaps consider changing the question slightly and then simply having one paragraph of your essay plan (Task #4) covering the other side of the argument – male representation.

There are at least seven PDFs in our archive that link to women in film. There are also five that link to males if you want to keep the question across both genders. Be careful with this – you may find it more helpful to narrow the focus of your investigation to ensure you get sufficient depth to your research and analysis.


Research the Bechdel test – it’s a brilliant example of how women are sidelined in film.

Widen your search away from Fast & Furious and look at gender representation and feminism more generally. This will create far more opportunities for academic book and journal research. Also, media theory – you need to research the big feminist theories out there.

Web research is looking strong – a great cross-section of articles, TED talks, YouTube clips etc. This will all add a lot to your research as long as you have the academic theory to back it up.

I’d still look for more internet-based research – this will be one of next week’s tasks so come back to it then.


Bibliography (Task #2) is looking weak and needs to be a priority – get that done this week.

  1. Go back to my textual analysis and include more. I havent written about SHEP so i need to add this on
  2. Add more academic books into my notes and quotes. go onto the student resources and read the 7 articles on males and add to it
  3. Mention the Bechdal test

Task 2 - Biblography

Bibliography

The new York Times. (2015, October Monday). Retrieved from Rose McGowan Pushes Own Agenda at Bipartisan Conference: http://www.nytimes.com/2015/10/13/fashion/rose-mcgowan-pushes-own-agenda-at-bipartisan-conference.html?ref=topics&_r=0

Dr. Stacy L. Smith, M. C. (n.d.). Gender bias without borders. Los Angeles.

Evans, J. N. (2012, October Tuesday). The Guardian. Retrieved from Women's representation in media: readers preferences for online news revealed: http://www.theguardian.com/news/datablog/2012/oct/23/women-media-representation-online-news

Evans, J. N. (2015, October Tuesday). The Guardian. Retrieved from Women's representation in media: readers preferences for online news revealed: http://www.theguardian.com/news/datablog/2012/oct/23/women-media-representation-online-news

Gajanan, M. (2015, September Wednesday). The Guardian . Retrieved from Female leaders gather to underline importance of educating girls: http://www.theguardian.com/lifeandstyle/2015/sep/30/female-leaders-gather-to-underline-importance-of-educating-girls

Lisa Evans, L. C. (2012, September Friday). The Guardian . Retrieved from Women's representation in media: the best data on the subject to date: http://www.theguardian.com/news/datablog/2012/sep/07/gender-media-best-data-available

Portrayal of age and gender in films. (n.d.).

Representation of masculinities and men’s body in the popular media – student resources. (n.d.).

Ridgeway, C. L. (2011). How gender inequality exits in the modern world. USA: Cecilia L. Ridgeway.

Velding, V. (n.d.). Gender & Society in the Classroom: Media Representations. Retrieved from Sage Journals : http://gas.sagepub.com/site/misc/Index/Classroom/Media_Representations.xhtml


Zorana&Mičić!! (n.d.). Female Interactions on Film: Beyond the Bechdel Test. Stockholm!University!

Thursday 19 November 2015

Task 1 - Textual analysis

Textual analysis
Fast and the furious 7

Media Forms
In the extract shown above, the women have been portrayed as vulnerable and are presented as sexual objects. At 9 seconds into the clip, we immediately see a high angle shot of women painted in gold wearing a bikini which camouflages in with her shimmery skin making out as if she is fully naked. The use of a high angle shots shows the audiences her weakness and how she is defenceless. We see her dancing using slow movements, bending over and touching her legs, but no one is taking notice of her. This suggests she isn't respected and is only there for decoration purposes, she can almost pass off as is she is a trophy - something to be won. In addition, a close-up tilt shot is used on one of the dancing women, enhancing her feminine features and emphasises the fact that she is only there for entertainment reasons.

Although, a few seconds later a low angle shot is used on her allowing the audiences to see her whole body from different angles. Furthermore, the camera shows two women walking by, but their faces are not being shown, instead it’s their buttocks, suggesting that women are just seen as objects rather than an actual human. Lastly, the camera mostly films the women dancing rather than the men. This can be linked nicely to Mulvey’s theory of the male gaze, where women are presented for males to look at. It can also link to Berger’s theory ‘men act and women appear, suggesting that women are only used for amusement. However, as the extract progresses, we come across the main male characters who are dressed smartly wearing a suit and tie. They look dominant and powerful and seem as if they are in control with the current situation, compared to the women. This suggests that men are portrayed positively and women as negatively in the media. Feminists would argue that women are oppressed and subordinated by men, which is clearly seen in the media. Also, the one of the protagonists is seen making a speech to distract the guests and guards from seeing what the others are doing. The fact that a male is speaking suggests that women are not capable of making a speech in front of crowd.
In addition, the lighting used is high-key lighting which allows us to see everything within the extract; the sound is quite up-beat and fast which links to the speed of the cars. The sound played was parallel to the scene presented as it followed what was happening in it.

Narrative

Todorovs theory can be applied to the extract. For example, the equilibrium is where they are seen where all the characters are dancing and enjoying the party. The disequilibrium is where Gibson is seen making a small speech at the party which wasn’t planned for it and so was unusual to everyone else. The guards get suspicious and try arresting him. The new equilibrium is where he manages to run away from the guards and saves himself.

SHEP

Social 
  • It creates a dominant representation on the genders in the media for the audiences
  • objectified women in the media
  • Men as more powerful and women as weak
Historical
  • Women have changed dramatically in the media. They went from being reserved to now seen as sexual objects. 
  • Seen wearing skimpy clothing
  • Are exploited more by men then before
  • Before, it was about their voice and now its all about their bodies
Economic
  • The revenue - “Furious 7” has grossed $735.2 million overseas in 17 days and $273.7 million in North America after 15 days — making it the fastest movie to reach $1 billion.
  • Profit - FF7 made a significant profit of $1.37 billion
  • Cost to make it: $119 million 
  • Box office: $1.512 billion
Political
  • Equal pay
  • Feminism
 Issues/Debates

Representation and stereotyping - This relates to my study as audiences are always representing females as sexual objects in the media as well as stereotyping them as weak and vulnerable which has been portrayed in Fast and furious.
·         Ownership and control - Control is seen where they were a given task to terminate Shaw
·         Media technology and the digital revolution – This relates to my study as it shows that technology has improved dramatically, which helps the editors to allow the audiences to see how women are really portrayed in the media
·         The effect of globalisation on the media - this relates to my topic as it shows that due to globalisation, representations of genders in the media have been influenced by society. 

Theories
·         Semiotics - This was introduced by Barthes and is about signs and denotations. The denotations of the costumes in FF7 such as their skimpy clothing symbolises freedom and individuality.
·         Gender and ethnicity - This relates to my study as the whole idea is about gender. The way both males and females are being represented in the media and how this has a huge damaging effect on the audiences.
·         Audience theories - For example the hypodermic needle model which injects information into the audiences head. This relates to my text as the way females are represented in the film e.g seen as sexual objects, this could inject a message in the audiences minds that it is okay for women to be seen as that. 

Catwomen

Media form

In this extract of the Catwoman, Patience (the main character) is seen running on her two arms and legs (exactly the way cats do) up against the walls showing her talents and skills. The fact that the camera speeds up dramatically whilsts she is running shows her quickness and agility. As the extract progresses we see Patience fighting against four men. Another use of the camera speeding up dramatically shows us how quickly she's knocking the men out - showing her strength and dominance. This contradicts the stereotypes audiences give women and women in the media as it tells us that women can be powerful and stronger than men and are not the negative representations we give them.

 In addition, close-up shots are used on her face to see her facial expressions. In this case, we see anger and thirst portrayed all over her face suggesting that she is after something and wants it before the villains grab it. This shows the audiences that she is mighty and authoritative and won’t stop until she succeeds. However, as she is a female character and they are presented as sexual objects in the media, she is seen wearing a figure hugging black outfit to emphasise her feminine features. Also, her bright red lipstick highlights her sexuality and seductiveness. Moreover, her mask covers her identity. As she is a women, the audience do not need to take any notice of her apart from her skills, almost as if her face/sex does not matter. 

Narrative 

Todorovs theory can be applied here. The equilibrium is where Catwomen is seen at the beginning of the extract is seductively walking into the jewellery shop. The disequilibrium is where she starts fighting against the male thief’s and the new equilibrium is where she walks away with the jewellery in her hands.  

SHEP

Social
  • ·         It creates an alternative representation of women in the media as Catowomen is seen as dominant and powerful.
  • ·         The men are seen as less powerful in this movie


Historical
  • Women have changed dramatically in the media. They went from being reserved to now seen as sexual objects. 
  • Seen wearing skimpy clothing, but she is the main protagonist
  • Are exploited more by men then before, but in this extract she is seen more powerful than men
  • Before, it was about their voice and now it’s all about their bodies
Economic
  • ·         Budget: 100 million
  • ·         Box office: £40.2 million
  • ·         Revenue


Political 
Equal pay

Friday 6 November 2015

Notes and quotes

Media texts
What your main focus will be, E.g.:
Fast and furious 7

Other media texts
The Avengers
Comic book characters

TV documentaries
Miss Representation (2011)

Academic texts/books
  1. Gunter Barrie: Television and Gender Representation (1995)
  2. Tonn y Krijnen, Sofie Van Bauwel: Gender and Media (2014)
  3. Abolaji S. Mustapha, Sara Mills: Gender Representation in learning Materials (2015)
  4. Frances Bonner: Imaginig women: Cultural: Cultural Representations and Gender
  5. Mary Talbot: Language and Gender (2010)
Internet Links

  1. 'Female leaders gather to underline importance of educating girls'
  2. http://www.nytimes.com/2015/10/13/fashion/rose-mcgowan-pushes-own-agenda-at-bipartisan-conference.html?ref=topics&_r=0
  3. http://www.theguardian.com/news/datablog/2011/dec/06/women-representation-media
  4. http://www.theguardian.com/news/datablog/2012/oct/23/women-media-representation-online-news
  5. http://www.theguardian.com/news/datablog/2012/sep/07/gender-media-best-data-available
  6. http://gas.sagepub.com/site/misc/Index/Classroom/Media_Representations.xhtml
  7. http://www.theatlantic.com/entertainment/archive/2014/06/why-it-is-a-bad-thing-that-orange-is-the-new-black-leaves-men-out/373682/
Media texts

Fast and the furious 7
The movie is about where Dominic and his crew had thought they'd left the criminal mercenary’s life behind. They'd defeated the international terrorist Owen Shaw and went their separate ways. However, Shaw's brother, Deckard Shaw, is out killing the crew one by one for revenge on his brother. Worse, a Somalian terrorist called Jakarde and a shady government official called "Mr. Nobody" both competed to steal a computer terrorism program called "God's Eye," that turns any technological device into a weapon. Torretto had to reconvene with his team to stop Shaw and retrieve the God's Eye program while caught in a power struggle between the terrorist and the United States government.

Catwomen representation
The movie is the story of a shy, sensitive artist Patience Phillips, a women who can’t seem to stop appolgising for her own existence. She works as a graphic designer for Hedare beauty, a mammoth cosmetics company on the verge of releasing a revolutionary anti-aging product. When Patience inadvertently happens upon a dark secret her employer Is hiding, she finds herself in the middle of corporate conspiracy. What happens next changes Patience forever. She is transformed into a woman with strength, speed, agility and ultra-keen senses of a cat.  With her newfound prowess and feline intuition, Patience becomes Catwoman, a sleek and stealthy creature balancing on the thin line between good and bad. Like any wildcat, she’s dangerous, exclusive and untamed. Her adventures are complicated by a burgeoning relationship with Tom Lone, a cop who has fallen for Patience but cannot shake his fascination with the mysterious Catwoman, who appear to be responsible for a string of crime sprees plaguing the city.

Taken
A divorced man gives up his career as a "preventor of problems" and lifestyle to attempt to be close to his 16 year old daughter since in the past his career cost his marriage etc.
His daughter decides to go to Paris and since she is underage she needs written consent from him. The father feels uneasy with the situation and after having her agree to call each night etc he lets her go with her friend.  Shortly after arriving the father calls his daughter, during the phone call she and her friend are abducted by sex trade trafficers (who harbour women, get them addicted to drugs, then sell them as prostitutes). He eventually tracks down an illegal brothel and finds her friend dead, then tortures and kills the man who abducted her to begin with. He gives him the info to where she is being held and sold as she is a virgin and worth more...eventually after destroying some buildings, killing atleast 100 people and revealing the French police's corruption he finds his daughter and brings her back safely to America. 

Transporter
Ex-Special Forces operator Frank Martin lives in a quiet life along the French Mediterranean, hiring himself out as a mercenary transporter who moves goods--human or otherwise--from one place to another. No questions asked. Carrying out mysterious and sometimes dangerous tasks in his tricked-out BMW, Frank adheres to a strict set of rules, which he never breaks. Rule One: Never change the deal. Rule Two: No names--Frank doesn't want to know whom he's working for, or what he's transporting. Rule Three: never look in the package. Frank's newest transport seems no different from the countless ones he's done in the past. He's been hired by an American known only as "Wall Street" to make a delivery; but when Frank stops along the route, he notices his package is moving. Violating Rule Three, Frank looks inside the bag, finding its contents to be a beautiful, gagged woman. Frank's steadfast adherence to his other two rules--which make up his basic code of survival.7

The Avengers
The Avengers is about a man names Nick Fury who is director of S.H.I.E.L.D, an international peace keeping agency. The agency is a who's who of Marvel Super Heroes, with Iron Man, The Incredible Hulk, Thor, Captain America, Hawkeye and Black Widow. Global security had been threatened by Loki and his cohorts, Nick Fury and his team has needed all their powers to save the world from disaster. A huge war occurred between the Avengers and Thor’s army which lead to destruction and chaos and many citizens and heroes had died. However, in the end they managed to save the world and keep peace.

Internet links

Rose McGowan pushes own agenda at Bipartism conference


·         ‘Ms. McGowan stirred a minor tempest when she called out Hollywood for its sexism, posting on Twitter casting notes she had been sent for an audition, which called for her character to wear a form-fitting, cleavage-baring tank top’ – women are apparently supposed to being wearing clothing that will catch the publics, mainly males, attention seen as weak.
·         ‘Ms. McGowan, who has raised her visibility by rallying support for women’s rights’ – she is against the fact that women should be portrayed negatively in the media and argues women should be equal to men – there is hope for women.

Women’s representation in the media: Who’s running the show?

·         ‘Guardian research shows that many are over-whelming male dominated
·         ‘The average percentage of female reporters was 22.6% - compared to 77.4% of males’ 
·         ‘average of 92% male dominance’

Women's representation in media: Reader’s preferences for online news revealed


·         ‘UK online news we showed clearly that women play a small role in speaking to the nation’ – This suggests that women have less power and control over things.

Women’s representation in the media: the best data on the subject to date



Female leaders gather to underline importance of educating girls

·         I am worthy, and if I’m worthy, so are you – Obama’s wife
·         Educating girls is the key to ending world problems, including poverty
·         “The empowerment of women is so important. World poverty, world hunger, health issues – all of this stuff lies within the empowerment of young girls and women.”
·         What she said is a common line of thought among schoolgirls – that doing well in school will make a girl less attractive to boys
·           “I want you to grow up and live in a peaceful and prosperous world and the evidence is incredibly clear that the more time people spend in school the more likely they are to support peaceful ways of resolving conflict, the more likely they are to support democracy, the more likely they are to show tolerance of other religions,” Gillard said
        
Gender & Society in the Classroom: Media Representations
·         Women are expected to look and act a certain way in order to uphold a feminine beauty ideal.
·         Women face a great deal of societal pressure to look a certain way.  Societal expectations for females include adhering to a thin body ideal
·         The action genre of films is predominately male-centric
·         Male and female bodies are portrayed differently, with women’s body’s often commented on and male bodies, when commented on at all.  Female characters also engage in showcasing their sexiness and men are seen gazing at these women, two stereotypical behaviours of femininity and masculinity.

YouTube  videos/Documentaries

Miss representation – documentary clip

·         Women own 5.8% of all television stations and 6% of radio stations
·         Women hold 3% of clout positions in telecommunications, entertainment, publishing and advertising
·         The glass ceiling preventing women from obtaining top job
·         Women only comprise 16% of all directors, producers, writers, cinematographers and editors and only 7% of directors and 10% of writers are in film
·         The average number of news stories targeted at women and girls is less that 20%
·         Women directors can’t sometimes direct movies than a man can direct – according to others
·         List of 25 male directors name and not was a women

Cameron Russel: looks aren’t everything believe me I’m a model

·         Image is power, image is superefficient
·         Being fearless means being honest
·         We have defined beauty not just as health and youth and symmetry that we are biologically programmed to admire, but also as tall, slender figures and feminity and white skin
·         Pictures are constructions (not the real you (model))
·         53 % of 13 year old, don’t like their body and increases to 78% when they’re 17
·         “I am insecure because of what I have to look like everyday
·         “We all feel more comfortable acknowledging the power of image in our perceived successes and perceived failures

Women portrayed in mass media/gender stereotypes of women
·         TV commercials, ads and billboards stereotype women as sexual objects
·         69% of women have said that magazine models influence their idea of the perfect body shape
·         ‘She’ll tell you size doesn’t matter, she’s lying’
·         Ideal model is skinny and beautiful, causing girls to feel insecure and look just like them
·         Girls who were already dissatisfied with their bodies showed more dieting, anxiety, and bulimic symptoms after prolonged to fashion and advertising images in a teen girl magazine

Gender stereotypes for women

·         Women being a caregiver, staying at home cooking and cleaning, whilst the husband – a breadwinner go to work and earns
·         Males are more reckless drivers than women
·         Pink is for girls, blue is for boys
·         Women are considered as dumb – when there is no proof of who is more intelligent
·         68% of women spend the income on make-up to look beautiful

How are men portrayed in the media
·         Rich
·         Masculine
·         Sexy
·         Hot
·         Mac Mach
·         Perfect
·         In the media, they have become increasingly lean and muscular

Gender representation in fast and the furious 7
·         Males are seen as dominant and superior compared to females
·         Males muscles have been emphasised to highlight their strength and power
·         Females are seen a sexual objects, although there is a contradiction where 2 females are fighting each other
·         Females are seen half dressed  to show their weakness and vulnerability

Everything that’s wrong with women in the media | Holly Baxter | TEDxYouth

·         “You need to change your looks to get that confidence”
·         “Advertisers think of women being really insecure, then you can go for it and shove your products down your throat”
·         “Distress in a dress – constantly portraying women in emotional distress”
·         “Women do not have control”
·         “Act like a stripper to your boyfriend”
·         Women’s faces and bodies have been advertised all over the media and is portrayed in a dirty way. For example, a woman is seen on the front page of a burger advertisement, her mouth is wide open and the long burger is opposite to her mouth, symbolising a male’s private part.

Books

Framed by gender: How gender inequality exits in the modern world – Ceicilla L. Ridgeway

·         More recently, women have moved not simply into the labor market, butinto formerly male jobs and professions, like physician, manager, or lawyer, but again, a patternof gender hierarchy has remained in which men continue to be advantaged not only inemployment but also throughout much of society. Page 3
·         gender hierarchy that advantages men over women survived the profoundsocial and economic reorganization that accompanied the transition of the United States from anagrarian to an industrialized society. Page 3
·         Gender inequality persists as well in who does the work at home. Whether or not women work inthe paid labor force, they continue to do more work in the household than men (Bianchi et al.2006). Furthermore, women’s share of the housework compared with men’s is not dramaticallychanged by increases in the hours they put in on the job page 8
Representation of masculinities and men’s body in the popular media – student resorces

·         Sociologists have constructed men as inherently social and women as essentially corporeal/natural, thus granting the men the status of what Shilling (1993) terms the “absent-presence”
·         Being marginalized by academics, hegemonic men’s bodies have been positioned by the discourse of “compulsory heterosexuality” that governs the media. Whereas the passive, semi-nude and naked bodies of heterosexual; women have been constructed as objects for the pleasurable gaze of heterosexual; male viewers.

Portrayal of age and gender in films – student resources

·         “Being physically attractive counts much more in a woman’s life than in a man’s, but beauty, identified, as it is for women” with youthfulness, does not stand up well to age”
·         59% of male characters, but only 24% of female characters, were portrayed as working.
·         In addition, male characters are more likely than female characters to be employed and hold high-status positions
·         In addition, female characters were more likely to be found in relatively powerless household occupations and as students
·         44% of male characters and 43% of female characters were successful.

Media magazine notes
Bill Thompson: What does the internet do for me?
  • Open to innovation
  • Network is becoming seemless and very fast - accessible
Internet is valuable for free speech but is not yet safe
The internet is replacing many things such as newspapers

Ways to use the internet: 
  • Connection
  • Information
  • Voices in your head
  • Political action
  • Cartias and campaighning 
  • Financial reward
  • Games
  • Learning
  • friendship
Downsides:
  • Bullying
  • Unwanted porn
  • Images of child sexual abuse
  • Abuse
  • Scams and rip offs
  • Fraud
  • conspiracy theories
  • The dark web
Over 50% of newspapers are controlled by billionaires e.g. Rupert Murdoch
Media representations: 
Stuart Hall - role of society - 'common-sense’


Rob Watson and Pete Fraser - film production
"Never simply about journalists behaving badly - it is about power

Media power:

Power over: 
  • Media content
  • journalists
  • audiences
  • government
Power to:
  • censor
  • mislead
  • set the agenda
Media and democracy?

Diversity and plurality

Last few decades - 
  • Rolling news
  • Free newspapers
  • mobile apps
  • online news
Cut and paste journalists - 'cut and paste from the daily mail'
Hackgate - corruption of power

Chris Jeffres – documentary

Media magazine articles

MM34 – page 36
·         Berger summarised the way in which gender was represented in the media through visual images: Men act and women appear. Men look at women. Women watch themselves being looked at.
·         Occasionally, the media does represent women as powerful and independent characters, and yet they still almost invariably require a man to tell them what to do.
·         We, both female and male, are socialised into a world where the relationships of power between the sexes appear ‘natural’

MM51 – page 43
·         In Saudi Arabia, women cannot ride bikes; nor, for that matter, can they drive cars. Strict social and religious rules do not allow women such freedom of movement.
·         women are often segregated in public, and sometimes at home, fuelling accusations of a gender-apartheid. Women cannot divorce without legal representation from a male guardian, and polygamy
·         The full-length, black robe (abaya), head covering (hijab) and face veil (niqab) are relatively standard issue for the majority of Saudi women

MM50 – page 56
·         Women in advertising are too white and nearly exclusively under size 6.
·         The film accuses the ‘media machine’ of creating destructive illusions and impossible body images that have massive negative impact on the self-confidence of women.
·         Theorist Laura Mulvey and her pioneering 1970s work on ‘The Male Gaze’.
·         ‘Perfect’, creates an attack on dominant ideology, where size 14 is unseen.

MM44 – page 60
‘What’s the difference between men and women?’ and goes on to rant about women’s carelessness.
Gender roles are constructs rather than essential truths

MM51 – PAGE 36

Her mass appear means she has the power to reach out to massive audiences regardless of race, age, gender or class.